THE HAY(NA)KU IN THE WORLD
As a poet who believes in letting go of her poems, who believes poems are not the property of anyone including their author, I have enjoyed the hay(na)ku for having an ideal journey out there in the world. It spread through the internet, of course, swiftly leaving my loving hands. And it's appeared in journals and books viz authors who really can do this form way better than I can. (That others can do the form better than its so-called inventor is a significant part of my and the hay(na)ku's poetics, but that's a rambling discourse for another day...)
Now, the hay(na)ku continues my vision of a poem's ideal journey by leaving the "poetry world" and moving forward to the larger world (where I believe poems ultimately should find their way). To wit, I'm purrrrred to discover that a chained hay(na)ku (which will appear later in THE CHAINED HAY(NA)KU ANTHOLOGY) has appeared in a corporate newsletter! The form was taken up by the company's in-house editorial staff, then came to find its way onto said newsletter. If I told you the company's identity, it'd be a more impressive achievement but I, for a complicated reason, can't reveal said identity. But the hay(na)ku -- a poem -- has appeared in a corporate publication, complete with a footnote about the hay(na)ku form itself.
I love it -- poetry infiltrating the capitalist sector. May it brighten up some worker's day -- lighten the drudgery, make a Man relax his uniformed shoulder, ... mayhap make someone who otherwise ignores poetry read and even attempt this very inviting form.
Speaking of the hay(na)ku, the big, burly men are back on the mountain. We are working on implementing a humongous fire protection system, among other things. The "other things" include installing a marble fountain that features statues of Achilles and Ajax playing chess (an image taken from one of the most famous Grecian black-figure vases, 530 BC). They plot and strategize their chess moves within an octagonal base. On each side of the octagon, a hay(na)ku is featured about some of Galatea's most beloved citizens: Achilles, Gabriela, Scarlet, Artemis, Michael ... and Galatea herself.
Well, yesterday, I happened to look out the window and became fascinated watching one of the big, burly men reading the poems. After he installed one of the bases along the octagon, he stepped back to read the poem. Then he began slowly circling the fountain to continue reading the other hay(na)ku. I held my breath, waiting for him to show some sort of bemused reaction -- like maybe raising a hand to scratch a sweaty brow or sumthin' that otherwise indicated he thought the poems silly. But, no, this big, burly man just kinda gave a brief nod to himself after he finished circling the fountain...and moved on to the rest of his day.
I am optimistic over his response which I interpret (or maybe misinterpret, but allow me my idealistic canoodling here) as receptiveness. Through his reading of the fountain slabs, I hope he'll remember in the future how, one day, off he went to work and ended up reading poems. Poems -- they should be part of everyday life...